This Tsuba is recognized by The Society for Preservation of Japanese Art Swords, which is known as NBTHK. According to the certificate, Matsumura Katsunari (松村 勝成) made this Tsuba. You could find his Mei (銘, engraved inscription) at the center part of this Tsuba. The plant motif designed on this Tsuba is the Kashiwa (柏, daimyo oak). Its tree and leaves are engraved on this Tsuba with a powerful touch that makes us feel the power of life. While most of colorings have already faded, we could see the traces of golden paint on Kashiwa leaves. This plant pattern is famous as one of the Judai Kamon (十大家紋, ten widely used family crests in Japan). Here, we would like to introduce the relationship between this plant and the Japanese people to you. In the past, Japanese people used oak leaves as vessels for serving food (tableware). This plant is familiar to ancient Japanese people since it is related to food, an essential element in daily life. These lifestyle habits also have a significant impact on the field of faith. Religions at that time arose spontaneously from people’s everyday lives and worshiped “nature” (the sun, mountains, rivers, oceans), which greatly influenced survival. It had a straightforward and primitive structure in which “one prays by making a Kumotsu (供物, offering) to the object.” Leaves of plants such as oak were used as containers for offerings, which is considered to reflect the lifestyle of the time. These customs were passed on to the Shinto (神道), which developed from this primitive religion, and oak leaves are still used today as vessels for offerings at Shinto rituals. Perhaps due to this background, a sense of value that finds “sacredness” and “auspiciousness” in oak leaves seems to have developed. In this way, oak had a certain degree of familiarity with aristocratic society, and from an early stage, it was turned into patterns and used to decorate clothing and furniture. As mentioned above, Shintoism has a strong connection with oak. Hence, the Kashiwa emblem was initially particularly popular as a crest for a shrine or its enshrined deity or as a family emblem for shrine families. The Kashiwa crest gradually spread to Samurai families; however, this is thought to have been through objects of worship or relationships with Shinto forces. In addition, oak leaves have a habit of not losing old leaves until new ones replace them, so it is said that “generations are uninterrupted” and “transfer of supremacy” (using the word 葉 “leaf” as 覇 “hegemony”). People favored this plant pattern because it was found to be a good luck carrier, such as not causing trouble due to the change of generations. In the Edo period, family crests began to spread to the ordinary people. It could be said that the fact that it was one of the popular family crests that gained much support from the ordinary people who had new family crests has led to the widespread adoption of the Kashiwa crest today. In this way, the Kashiwa has been a familiar plant for the Japanese for a long time. It is understandable that it was incorporated into the designs of sword mountings. Authentication Paper They authenticated the Tsuba on May 2nd in the 20th year of Heisei (2008). They appraised it as Hozon Tousougu, the Tsuba worth preserving for Japanese society.
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Certifies a genuine fitting worth preserving: a correct signature, or, if unsigned, an identifiable era and school, with recognized artistic and craft value.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteReturns/exchanges limited to defects caused by shipping (except willful misconduct or gross negligence by the company); customers must contact within 72 hours of receiving the product.