NihontoWatchNihontoWatch近江国國友鉄炮鍛冶の出になる間は、銃身への象嵌を鐔の装飾に活かした技術集団。 中でも貞栄等は伊勢国亀山の松平家に抱えられている。砂張（さはり）象嵌は、鋤き込んだ文様部分に溶融させた銅、鉛、錫などの合金を流し込んで意匠としたところに特徴がある。 また鉄を鍛える高い技術も備えている。この鐔は、緊密に詰んだ鉄地を八方に筋立つ構造とし、砂張象嵌に加えて鮮やかな金平象嵌をも加味している。 砂張部分は独特の虫食い状に窪みがあって自然な景色を成し、色鮮やかに際立つ金平象嵌と対比の美観を生み出している。
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Kinko · Ise
8 pieces on the market now
The Hazama school (Hazama-ha 間派), also known as the Kameyama tsuba makers, emerged in the castle town of Kameyama in Ise Province from around the Genroku era (1688-1704). The school's founders were members of the Kunitomo (国友) family, originally matchlock gunsmiths (teppou kaji) who had lived in Omi Province. "[[c:2]] Works bear either the single-character signature "間" (Ma) or personal names such as Kunitomo Sadaei and Masaei (正栄), linking the school's named artisans to a shared workshop tradition rooted in the military metalworking crafts of the Kunitomo lineage. The Hazama school's defining contribution is sahari-zougan (佐波理象嵌), an inlay technique employing sahari, a distinctive alloy of copper, tin, and lead.
"[[c:4]] Techniques attested across the corpus include suemon-zougan (applied inlay), takabori takanikubori (high-relief carving) in shakudou, hira-zougan (flat inlay), and the yakite kusarashi (fired and corroded) surface treatment. "[[c:5]] The Hazama school occupies a singular position within the broader kinko tradition as the only lineage to have applied sahari inlay to tsuba production. " The school's origin as firearms craftsmen who transferred their metalworking mastery to a peaceful art form, and their creation of a decorative vocabulary without parallel elsewhere in tsuba production, secure their place as one of the most distinctive regional schools of the mid-Edo period. Learn more →
| Smith | Era | Designated |
|---|---|---|
| Masahide正秀 | — | 3 |
| Sadahide貞秀 | — | 3 |
| Masataka正孝 | — | 0 |
A Hozon-certified fitting of notably superior craftsmanship and condition, often with signature or workmanship of high reference value.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
NBTHK official siteIf, due to our fault, the item differs significantly from its proper condition, the item may be returned. Cooling-off is within one week of the item's arrival.