NihontoWatchHozon Token With cutting-test inscription Nino-do kamino-do Dotanbutsu. Heianjo ju Ryuunsai Minamoto Sadamitsu kore tsukuru with Koshirae. Ryuunsai Minamoto Sadamitsu was a swordsmith of Yamashiro (Kyo) active around the Keio era at the end of the Edo period, and was a student of the first-generation Gassan Sadakazu. This piece is a Yamato-tradition wakizashi featuring ko-itame mixed with masame in the jigane with a chu-suguha hamon, and the condition is good. In particular, it has a saidan-mei of "Ni-no-do Ue-no-do Dodan-barai," demonstrating its excellent sharpness. The tastefully assembled koshirae is also in good condition, making this a blade suitable for a collection. Ryuunsai Minamoto Sadamitsu was a swordsmith of Yamashiro (Kyo) active around the Keio era at the end of the Edo period, and was a student of the first-generation Gassan Sadakazu. This piece is a Yamato-tradition wakizashi featuring ko-itame mixed with masame in the jigane with a chu-suguha hamon, and the condition is good. In particular, it has a saidan-mei of "Ni-no-do Ue-no-do Dodan-barai," demonstrating its excellent sharpness. The tastefully assembled koshirae is also in good condition, making this a blade suitable for a collection. "sword figure" Shinogi-zukuri, iori-mune, mihaba is ordinary, kasane is slightly thick, torii-zori, chu-kissaki. Nakago is ubu with kesho-yasurime, and the nakago-jiri is kurijiri. "carving" The horimono consists of futasuji-hi on the omote and ura. "jigane" Jigane is ko-itame hada mixed with masame, with ji-nie appearing thickly. "hamon" Hamon is chu-suguha, with ko-ashi, and the nioiguchi is slightly tight with ko-nie. "detailed" Ryuunsai Minamoto Sadamitsu was a swordsmith of Yamashiro (Kyo) active around the Keio era at the end of the Edo period, and was a student of the first-generation Gassan Sadakazu. He also signed his mei as "Heianjo Horii Ryuunsai Minamoto Sadamitsu." Many examples of his work are katana, and some are seen to exhibit a wide and grand sugata. The jigane includes well-refined ko-itame-kitae and masame-kitae based on the Yamato-den, and the hamon includes suguha and gunome-choji. This piece is a Yamato-tradition wakizashi featuring ko-itame-kitae mixed with masame in the jigane with a chu-suguha hamon, and the condition is good. What should be specially noted is the fact that a saidan-mei of "Ni-no-do Ue-no-do Dodan-barai" is incised. This means it cut through the chest of the second body of stacked corpses, namely the Ue-no-do, and demonstrates its excellent sharpness. The koshirae is tastefully assembled, and its condition is also good. As it is a sharp wakizashi with a saidan-mei and the koshirae is also excellent, it is a blade most suitable for a collection. "Koshirae" Habaki: Single-tier suakudo-ji with gold plating. Tsuba: Tetsu-ji with kage-sukashi of lotus roots. Fuchikashira: Shakudo nanako-ji with a design of a gunbai. Menuki: Shakudo-ji with a design of lotus. Tsuka: Same has an oya-tsubu and is maki-zame. Tsuka-maki is moro-tsunami-maki in nando-iro. Saya: Kuro-ro. "condition of blade" Togi: Good. Kizu: There are no flaws that would become defects.
Offered by Giheiya
This piece has sold
As written by the shop
Machine translation from the shop's Japanese · may contain errors ·
The Shinshintō revival
Around 1800 Suishinshi Masahide argued in his writings that the craft must return to the old masters’ methods: the fukkotō revival. His greatest successor Naotane worked convincingly in Bizen and Sōshū manners that had been dead for centuries.
Certifies a genuine blade worth preserving: a signature confirmed correct, or, if unsigned, an era, province, and school that the NBTHK can reliably identify.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
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