Edo was the sword’s age of connoisseurship: the Hon’ami appraisers, the shogunal register of famous blades of 1719, and a thriving literature turned the sword into an object of study even as it ceased to be drawn in war.
NihontoWatchNihontoWatchThis blade was signed by Noshu Seki Kanetaka (濃州関兼高). Noshu is the province’s name in Mino domain (Today’s Gifu prefecture), and Seki is the city where Kanetaka resided when he forged this blade. It was common for many swordsmiths to sign where they lived before writing their signature. The swordsmith name Kanetaka lasted a few generations from the Muromachi-early Edo period. Judging from the NBTHK’s appraisal that says this blade was made during the Shinto era, we believe it was a work of Sanami Kanetaka (三阿弥兼高), who was active during the Kanei-Manji era (1624-1661). Shinto is Japanese Sword terminology that refers to the swords forged during 1596-1781. Kanetaka belonged to a prestigious school called Sanami (三阿弥), one of the seven schools in Seki city in Mino province (Today’s Gifu prefecture). Those seven schools are known as Seki Kaji Shichi Ryu (関鍛冶七流). The MINO swordsmiths style, also known as MINO-DEN, basically has the TOGARI(Pointed shapes protruding from the Hamon )in a classic straight line and random temper line with some white Utsuri. MINO-DEN had its origin from YAMATO-DEN in the late KAMAKURA period(1280-1330). It flourished in the MUROMACHI period(1333-1573) and continued until the EDO period(1603-1868). MINO-DEN exceedingly prospered during Sengoku Jidai(Warring State period) due to the high demand for weapons. And the location of Mino province beat others. Akechi Mitsuhide controlled Mino province, and Nobunaga Oda ruled Owari province, and Tokugawa Ieyasu was the lord of Suruga (Neighboring areas). There was high demand from those powerful feudal lords and their retainers. Furthermore, so many wars occurred between the Kanto region and the Kyoto area. Mino is located in the middle, making feudal lords feel convenient to order swords from MINO-DEN. The blades forged in MINO provinces also had the reputation of their practical design and sharpness. Many feudal lords demanded swords forged in the Mino province. The tradition of excellent sword forging skills had been passed to the Edo period, and Kanetaka is a good example. This blade is appraised as a Tokubetsu Hozon Token(特別保存刀剣) issued by NBTHK(Nihon Bijutsu Touken Hozon Kyokai:日本美術刀剣保存協会). Authentication Paper They authenticated the blade on August 27th in the 3rd year of Reiwa (2021). They appraised it as Tokubetsu Hozon Touken, the blade especially worth preserving for Japanese society.
Kanetaka兼高
Offered by Samurai Museum
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Mino · around 1624-1644
The Edo period (1615 to 1868)
Edo was the sword’s age of connoisseurship: the Hon’ami appraisers, the shogunal register of famous blades of 1719, and a thriving literature turned the sword into an object of study even as it ceased to be drawn in war.
A Hozon-certified blade judged to show notably superior workmanship and a better state of preservation. The bar is higher: re-tempered blades and most unsigned Muromachi/Edo works are excluded.
The NBTHK (Nihon Bijutsu Tōken Hozon Kyōkai, the Society for the Preservation of Japanese Art Swords) is a public-interest incorporated foundation founded in 1948 and supervised by Japan’s Agency for Cultural Affairs (Bunkachō); it is based at the Japanese Sword Museum in Tokyo. Its expert panels physically examine each submitted work (shinsa) and issue a certificate (kanteishō) ranking it by artistic and historical merit. NBTHK papers are the most widely recognized standard of authentication for Japanese swords and fittings.
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